Monday, February 8, 2010

Women and Islam

If some ninety million little boys were having their penises amputated, would the world have acted to prevent it by now? You bet. -Geraldine Brooks

After reading Geraldine Brooks’ Nine Parts of Desire, I was left with a much better idea of the role of women in different parts of the Middle East. In her accounts, Brooks is careful to differentiate between the differences in Islam based on region. Although she paid close attention to the oppression of women based on religious beliefs and cultural customs, I felt that she gave voice to the opinion that many women choose to live veiled and restricted,while arguing that in some ways it could be considered the most progressive option available to them.

I particularly appreciated the background information this novel revealed about Muhammad and the founding principles of the Islamic faith. For educational purposes, Brooks does an excellent job defining key terms, such as the different schools of thought and the different acts associated with Islam. In this way, Nine Parts of Desire would be a useful tool in the secondary or college level course; although, one might carefully consider pairing it with a work that challenges the "anti-veil" feminist approach, such as Rethinking Muslim Women and the Veil: Challenging Historical and Modern Stereotypes, by Dr. Katherine Bullock. I have not yet studied this work, but I will post more about it soon.

In her book, Brooks carefully analyzes different interpretations of the Koran, and points out that many practices that oppress and brutalize women are not founded on the teachings of Muhammad at all, but merely ancient traditions that continue even today. It was horrifying for me to read that the practice of genital mutilation was legal even until 1994 within the United States. Brooks argues that more needs to be done to protect women who are threatened by their culture, such as granting the right to asylum to women who have a "well-founded fear of persecution." This suggestion, which would only help women with the means to escape their situation, seems to be the very least that should happen.

While I was reading this book, I kept trying to put myself in the position of the women in Brooks' stories. What if I were forbidden to leave the house without my father or my husband? What my daughter was mutilated on an operating table? As an unwed mother, I would be marginalized and scoffed at, if not imprisoned, or perhaps killed by my male relatives. It pains me to think of the women that are refused such basic human rights by their very own people, as the rest of the world keeps moving forward, turning a blind eye to them all.

Sunday, February 7, 2010

Ottoman Culture


For an entertaining and enlightening tale about Turkish culture and the Armenian genocide in 1915, I recommend reading The Bastard of Istanbul by Elif Shafak. This book actually contains 3 separate stories that weave themselves together. The first is a story of a family of Turkish women living in Istanbul, all of whom share a home and a name but little else in common. The second is the story of an Armenian girl living in the states, splitting her time between her father's Armenian family in California and her mother in Arizona, who does her best to purge her life of anything Armenian after her divorce.

My favorite part of this book was the glimpses of Turkish religious customs and beliefs that were provided by one of the sisters, Banu. Through her, I learned about djinni, which I found to be very interesting. She also provides glimpses into the past that teach the reader about the Armenian genocide.

This novel is rich in concepts, including feminism and nationalism with hints of "coming-of-age novel" qualities. Shafak creates exceptionally interesting female characters, and her portrayal of Istanbul is edgy and modern. The end of the book is carefully crafted to keep the reader on a thread, excited to learn more and more about each of the characters and how their lives will change.

Shafak was prosecuted for "insulting Turkishness" because of the claims this book makes about the Armenian genocide, which is still denied by the Turkish government. I was struck by the fictional, yet historic, images this book provides about the mass destruction of Armenian citizens in the Ottoman Empire after WWI.